The Debate Episode 2: Architecting Music Like Open Source Software

In this second episode of the debate, I decided to add all the material related to my career as Software Engineer into my NotebookLM project and the outcome is so interesting! Enjoy listening ;)

Finding Harmony Between Code and Chords

I often think of myself as a student of two very different but deeply connected worlds: the structured logic of software engineering and the spontaneous heart of Jazz and Blues. Rather than seeing these as separate paths, I feel lucky to see how they both teach me the same fundamental lesson: the importance of community and listening.

Learning to Listen in Open Source

My journey in technology has always been about more than just writing code; it’s about being a "good citizen" in a global community. Whether I am working as a member of the Apache Software Foundation or contributing to the InnerSource Commons, I’ve learned that the best results come from mentoring, sharing, and consensus.

In the enterprise world, I’ve tried to advocate for a model where meritocracy and collaboration lead the way, much like a well-coordinated band. I truly believe that we all grow when we focus on "giving back" to the projects and people that helped us build our own expertise.

The Honor of Collaboration

In music, my path has been somewhat unconventional. I started playing at sixteen, and early on, I chose to learn the art of improvisation not from guitar books, but by listening to pianists, trumpeters, and saxophonists. This taught me to look outside my own instrument to find a "personal method" to playing.

Since 2013, it has been an honor and a pleasure to be an active member of the Kompoz Community. Contributing to over 150 international projects for independent artists has been a humbling experience. Each track—whether it’s a Blues arrangement for Eddie James or a Country session with Bill Ray—is a chance to learn from someone else's perspective. I am constantly inspired by the "great musicians" I get to work with, and I’m just grateful to add my guitar to their vision.

Gratitude for the Craft

I am also deeply thankful for the craftsmen who help me find my sound. My Noro PL Signature Series (the "PierCaster") isn't just a tool; it’s a beautiful interpretation of my ideas by my friend and luthier Davide Noro. I’m also grateful for the community of players, like Marco Fanton and Richard Hallebeek, whose presets help me navigate the digital landscapes of my Fractal FM3 and Reaper DAW.

Looking Forward Together

I try to keep one piece of advice close to my heart:

"Keep playing, keep practicing, and keep playing great music" - Jeff Berlin.

I don't have all the answers, but I’m happy to be on this journey with all of you.

Thank you for listening and for letting me be a part of your musical world.